Wolverine

It's been quite a while since I've posted a new painting. I started this painting of Wolverine back in September but a run of illness had prevented me from sitting down to it properly until recently. So anyway, enough appealing for sympathy, lets get on with the art work :-)

Wolverine

Digital Print

I started this painting after watching "The Wolverine" at the cinema. It was one of those paintings that just meandered along, changing as it went. Initially I had intended to have one of the Chinese leads in the background, or perhaps Jean Grey but as I worked I just wasn't feeling it.

At first I wanted to do this painting landscape, giving plenty of room for Wolverines claws to be the center of attention. I sketched the idea out, added the rough values and an idea of the color scheme.
I really like working with two light sources of different colors, so I decided early on that I would use a blue "moon lit" light source and a orange flame light source.
As you can see from the first sketch, I kept to trend in that the proportions of most of it are very wrong. This wolverine is squat, his head is squished and I remember spending ages not knowing what to do with Wolverines legs.... no dirty jokes please!
Looking at this work in progress even I find it hard to believe that it is the same painting as the finished piece and I'm always struck, particularly when writing this blog, by how much of a transformation my paintings go through to get to the final stage. Often I think that I should spend more time developing my sketching so that my initial sketches reflect a far clearer image of the final painting. Many of my friends who work predominately in traditional media do this and create incredibly detailed work before ever putting pen, paint, or pastel to paper. But that just isn't how I work. When I think of the way I create a painting I'm often more reminded of sculptors or wood workers who are sometimes heard saying that they have an idea in their head but the wood or stone "tells" them the form it wants to take. It's the same with the way I work. I know roughly what I want to do and I will usually have a very clear image in my head or even as a sketch roughed out on paper, but in the end it doesn't matter what I planned to do, if the painting "wants" to so something different then I'm just along for the ride!
Right, enough introspection... On with the painting!!

In this second work in progress I've given up on the idea of a landscape painting and moved to portrait. I've also corrected many of the problems with proportion and spent more time that was possibly necessary painting Wolverines abs!
I still don't know what to do with Wolverines legs so I spent some time looking at reference photos (reading between the lines, I sat drooling over more shirtless photos of Hugh Jackman... but this time he had tight pants on too)
Now that I had the main figure pretty much up to scratch I needed to think about his placement, the lighting and background. I also needed to tackle one of my nemeses, Wolverines adamantium claws. While I'd been enjoying painting Wolverine I'd forgotten how much I hate painting metal!

This is the last work in progress and as you can see we're nearly there. A fluke of the blue light on Wolverines right side put me in mind of rain and as the orange light was going to be a fire light source I decided that Wolverine was going to be moving in from the cold rain to an roaring inferno. (Kind of fire and ice without the ice... I probably should not share the inner working of my brain) At this point I still haven't tackled those claws, and to be honest I was getting a little intimidated by them and so was putting it off. I was also worried about the colors feeling a little muddy.

I was almost there but lots of little tweaks would be needed before I was happy.

And here we are, back to the final painting. I finally got over my fear of Wolverine's claws and discovered that the worse part was not the large claws across the middle of the painting but the smaller claws on that are almost invisible on his other hand.

In addition to the obvious inclusion of the claws, I also spent some time tidying and refining, giving the edges and little more "edge", removing some of the mud from the colors and adding some sparks and a hint of fire for Wolverine to move towards... Oh and of course an X-Men belt buckle.... It wouldn't be complete without that.

You may have noticed that I've started to watermark my final images more noticeably. Sadly, a number of my artist friends have recently had work stolen or posted without credit. Artists put a heck of a lot of work into what they do, whether it's digital or traditional, and it's sad that there are people out there who feel it is OK to use others paintings without permission or in some awful cases use them commercially without paying for them or even claiming the work as their own. This is why I will now be adding watermarks to my images. Hopefully, some day soon the clever techy gods will come up with a way to prevent image theft without the need to scribble all over it.

Geisha - Digital Portrait

 

Geisha
Digital Portrait

If you've been following my blog then you'll know that a while ago I spent a few months obsessed with painting and drawing Geisha. Since moving to digital art I haven't painted any Geisha, until now!

As with most of my paintings I started with a rough idea that I sketched out on the computer. I usually keep this very loose as my final painting rarely looks anything like the original sketch.

Once I've got the basic shape sorted out I usually start a more detailed black and white under painting,  however as the majority of my Geisha was to be black and white I decided not to bother this time... BIG mistake. Deciding to jump right into colour reminded me why I never usually do this. Most of the alterations and corrections that I do are worked out in the black and white stage as it's harder to make big alterations once you're working in colour. Had I taken the extra time this painting would have taken a fraction of the time that it did.
As it was I put down colour blocks as you can see on the right side of this work in progress shot and then stated to add in the detail as you can see in the eyes and the left of the work in progress.

At this point I was starting to go a little nuts and remembering exactly why I work in black and white first. The hair decorations just weren't going right, the eyes were slightly unbalanced and those flowers were awful. It took me a lot of fiddling around to fix this mess.

Finally the finished article. I removed the awful flowers and replaced them with more natural looking cherry blossoms instead of a representation of the common paper flowers modern Geisha wear in their hair. The hair ornaments have also been made to look more natural and have been given depth, the eyse ate no longer unbalanced and look a little more "real" and detail has been added to the fan and the background to give some depth to the painting.

I always learn something from every painting I do and I think the most obvious thing that I have learned from this painting is not to rush. The result I get from taking my time, working on the under painting and then adding colour is always less strained even if it does take more time. It's far easier to make alterations at the start than at the end.

I'm thinking about setting my computer up so that I can record a time lapse of my painting process. It probably won't be available for a while. I've already started a new painting of Wolverine that I hope to finish in the next week or so but the next painting after that I may give it a try. I'm not entirely sure if my style will lend itself to that sort of thing as I tend to paint in short bursts but I'll see how it goes and let you know.

Geisha is now available as a print on my Etsy store here https://www.etsy.com/uk/listing/161340461/geisha-portrait-print-size-16x12?

Please also check out and like my Facebook page where I post lots of work in progress shots and random updates https://www.facebook.com/TessaLakeillustration

Claws and Robbers - Commission

I recently undertook a commission for an author, Susan Rae Glass and her new book Claws and Robbers. The brief was to create a illustration to for one of her books characters which would show both the supernatural side of the book and the Police connection, that would be used as part of a pack given away with signed books. This is how I went about it…

After some discussions in the pub (where all the best discussions are held) regarding Susan's ideas and how they could work, I headed home and worked up some very rough ideas in black and white (and in this case blue) so that Susan could decide which was her favorite. I always think this stage, where I'm not 100% sure what I'm going to do just looks like scribble or finger painting but apparently Susan saw past that and chose the middle idea.

Once I knew where the painting should be heading I could rough out the background and the main subjects body. I tried a few ideas for this but then I started reading "Claws and Robbers" and it was immediately apparent that the character should in a relaxed but alert pose, instead of crouched.

Once I'm happy with the rough shape of the character I always try to get the head/face right as this will help me develop the character in my mind and give him personality. After that the rest is relatively easy. At this point I was relatively happy with the pose and the head but something wasn't quite right. Later I worked out that the left hand side of the face was too fluffy and the left eye wasn't quite in the right place.

Once I had corrected the problems with the wolfs head I could get down to fur, fur and more fur. Thankfully I managed to go though most of my fur painting learning curve while painting my previous wolf so this time things ran far more smoothly and took half the time. It just goes to show that the adage "practice makes perfect" is alive and well.

One other change I made was to move the wolf to a better position as I needed to keep in mind that I had both a background and a title to add to the painting.

Speaking of backgrounds, here we are! I cannot express how much the thought of painting all those police officers in riot gear filled me full of dread. Particularly as I needed to make it fairly obvious what they were without drawing too much attention away from our wolf. I'm afraid they do somewhat remind me of the scary skeletal spacemen from Dr. Who, spooky!

And here it is, the finished article. I had some fun playing around with the text to give it that finishing touch and I was so happy with the result that a copy is now hanging on my wall.

If you would like to purchase a copy of "Claws and Robbers" you can do so on Amazon at

http://www.amazon.co.uk/Claws-Robbers-Susan-Rae-Glass/dp/1481792253/ref=sr_1_1?ie=UTF8&qid=1370989726&sr=8-1&keywords=claws+and+robbers

… or you can follow Susan Rae Glass on Facebook and purchase one of her fantastic signed books directly from her with a "MET" pack which includes a post card sized print of my work at

https://www.facebook.com/pages/Susan-Rae-Glass/554067864616102?fref=ts

… and don’t forget to follow my Facebook page where you will see work in progress shots and news often weeks before it hits my blog.

https://www.facebook.com/TessaLakeillustration

Captain Malcolm Reynolds - Firefly

I completely forgot about posting this painting which I completed a few weeks ago. The subject is Captain Malcolm Reynolds from Firefly.

As usual I started with a rough black and white painting to get the general shapes and lights and shadows placed.

 

Once I was happy with the black and white painting, I added the first layer of colours and tweaked the composition again. I also put in the basic background so to make it easier to tie the subject and background together ay the end.

At this point I tweaked Malcolm's face a little, it looks a lot more like him now. I also added more colour and started putting a little more texture into the background to make it weathered.

...And here's the finished article. I had lots of trouble with the gun but got there in the end, and I had lots of fun creating the messy background.

I'm currently in the process of updating my website and finishing off a exciting commission so watch this space for up coming news. Alternatively if you would like to be kept up to date with work in progress and news please like my FaceBook page https://www.facebook.com/TessaLakeillustration

Naytiri

 Naytiri Portrait

So the past couple of days I've been entertaining myself with this little portrait from one of my favorite movies, Avatar. My goal with this painting was to try to capture the character without doing a straight copy of a photo or still. The painting took about 5 hours and was completed digitally on CS3. Without a doubt the thing that took the longest was working with the pink and blue light sources hitting blue skin... Not a combination you have to worry about very ofter!

Below, for your viewing pleasure are a few work in progress shots to show how I achieved the painting.

 Before doing anything else I roughed out a greyscale sketch to give me an idea of where the shadows would fall. I do this with most of my paintings as it helps to map things out and catch errors before I get too far into the painting. In this case I found it a bit of a mixed blessing as because of the secondary blue light source places where I thought shadow should be were actually florescent blue.

I also drew in one of the pink willow like trees in the background. I don't normally touch the background yet but I found it helped a lot later when I tried to work out the pinks on Nytiri's skin. I may make a mental note to work out the background first going forward.

 Once I had the greyscale image to work with I could start working on the skin tone and roughing in all the elements, lights and shadows in colour. At this point I realized that Nytiri's right eye wasn't quite right. I also noticed that her face was too rounded and her nose too thin, so I spent some time correcting the proportions by flipping the image to get a different perspective and "re-set my brain".

 At this pint I had corrected all of the obvious floors, Finished the right eye and added more definition to the rest of the face. I also painted in Nytiri's stripes and roughed in the light points under her skin so that I could get a feel for the finished painting.
When I first started painting digitally I would paint each element on it's own layer and then stitch it together with a blending layer, but while that made it easy to alter elements without needing to repaint the surrounding area I always found that the painting felt a little disjointed. Now I tend to create a new layer for every sitting. That way I can easily undo anything that I've altered recently but don't like, but I'm always working in the same way I would if I was working in traditional media (in other words, laying down colour, waiting for it to dry and then laying down another glaze on top of it) This works much better for me but I still use the odd additional layer for working on something complicated like hair or working out how something works within the painting like Nytiri's spots and stripes.

To get to the final painting I continued refining and adding detail, I tweaked Nytiri's nose and mouth a little more and drew in the lips. I spent some time adding more florescent blue to the shadows and doing my favorite part of any painting, working on the hair :-/ Finally I blended Nytiri's stripes and re-drew her spots.

Make Way for the King!

I’m finally ready to call this painting finished! It’s been a long work in progress that has required me to paint a lot of things that I’m not familiar or comfortable with but I’m happy with how it has turned out an relieved that I can now take a break from painting armour!!!!

I will be selling prints of this painting in my Etsy shop (http://www.etsy.com/shop/TessaLake) shortly.

Make Way for the King - WIP 9

So, this is another small work in progress shot. I should probably point out that there are so many because when I’m working on my own work I tend to do it in small sessions, a little bit here and a little bit there, leave it and come back. After all, if I’m not on the clock I can take my time. When I’m working on a commission I move the computer away from the TV and settle down to some serious work!

Another reason I take so many progress shots is that unlike when I work in watercolour I can’t stand back and look at what I’m doing (read get a cuppa and scowl at my painting) so instead I flick through the WIP shots regularly looking at how I’ve progressed and trying to spot areas for improvement.

Anyway, back to today. I’ve been working on the background and Mr knight on the left again. I’m happy with the background now, that isn’t to say it won’t get tweaked again but for now I’m happy. When I scrolled through my WIP shots I decided that lefty looked like he was standing to close behind the king so I’ve pushed him back a bit and given him a sword. I need to do some work on his legs (I need to let them rest as they are for a bit so that I can work our what) but once that is done I think I’ll finally be into the final detail stage! Yay!!!

While lefty rests his legs I will be exercising mine! I’ve recently taken up jogging with the help of a iPhone app that a love called “Zombies, Run!”. It’s a brilliant idea, as you run your music is interspersed with little snippets of story and you also pick up supplies that you can allocate to your little town which unlocks more stories. The further you run the more supplies you pick up. It certainly seems to be motivating me to get off my bottom and run!

If you would like to have a go at running away from Zombies you can learn more about the app at https://www.zombiesrungame.com

Make Way for the King – WIP 8

Well I’ve had a busy old couple of weeks. Unfortunately they haven’t been busy painting! Still, today I finally had 10 minutes to sit down and get some painting done so the kings tabard is all but finished and the knight on the left just needs to be tidied up. For some reason I’m having far more trouble with him than I did the knight on the right.

Once I’ve got him all finished I will tighten up the background an put some more detail in. I haven’t decided whether to put the flag barer back in or leave him out, any thoughts?

Make Way for the King – WIP 6

Today I’ve been trying to address the niggling feeling that there was something fundamentally wrong with the kings pose. I was happy with his body but his head and face just kept niggling at me.

At first I thought that the massive helm was making his head look small so I fleshed him out a little, lifted his chin, gave him a beard and then realised that I’d created a freakish beach ball headed creature that I will not be posting! At this paint, I swore a bit, went to get a cup of tea and generally had a strop for a while before returning to the drawing board with fresh eyes.

The only solution that I could see was to start over. I went through my source photos looking for pictures of the kings helm and neck plate and luckily found a couple lying around that gave me a better idea of the shape and design. I then completely deleted the original head, brought the tabard into his neck and started from scratch. The result is not finished but I’m much happier with him now that he’s far more upright and I can move onto getting some detail into the final knight and banner bearer.

(The little lion in the bottom left corner is a template I created for the rampant lions on the kings tabard… I suppose I shouldn’t leave him there, how messy of me!)

Make Way for the King – WIP 5

Well another work in progress shot of my latest painting. Today I’ve been working on the knight to the right of the king. From now on I shall call him Neville (for no particular reason, he just looks like a Neville) He’s come out quite well I think. I’ve tried to keep him a little darker and less detailed than the king so that he stays in the background and I think that’s worked. I’ve also put some more detail into the background, this won’t be the finished detail bit it helps me to see where I’m going and how things relate to each other.

Next I will be working on the knight and the flag barer to the left, then I’ll be going back to working on the king who still needs a lot of work.

One of the things that I love about digital painting is keeping progress shots. Before I write up any WIP entry for my blog I call up all my progress shots and pan through them start to finish. I do this a few times just so I can see how far I’ve come. Sometimes when I look back over the WIP shots I find elements that I’ve removed or changed that I realise I should put back in, or I get new ideas for tweaks. Other times like today I see what the element I’ve been working on looked like before I started the session and then what it looks like after the session and I think to myself “did I draw that?!”… That’s a good feeling.

Make Way for the King – WIP 4

I only have a small update today because I’ve taken the evening off to watch the Olympic opening ceremony. Go team GB! I’m being slightly hypocritical as I intend to spend the next couple of weeks not watching the Olympics, but I still hope my countries team does well.

Anyway, back to painting. I’ve started putting the loose colour onto the background and re-positioning the knights. Tomorrow I hope to finish colouring these and getting this painting as close to finished as possible… I may even get it completely finished, you never know!

Finally, a quick should out to the fabulous aerial acrobat Ted Silkstrom who took part in the Olympic show tonight. Well done!!

Make Way for the King – WIP 3

So, tonight I mostly worked on the kings armour, which I hate just a little bit less now I’ve got the hang of it.

Now that I’ve got all of the kings base colour down I’m going to move on to blocking in the background. I’m not entirely sure that I’m going to stay with the same rough outlines I’ve shaded in yet so I might paint each of his knights on a different layer to make it easier to tweak them if needs be.

Thanks to the guys who follow me on Facebook for reassuring me that the shadowed face should stay. If you would like to follow me on Facebook you can do so here http://www.facebook.com/TessaLakeillustration or search for me under “Tessa Lake Illustration”

Make Way for the King – WIP 2

So I’ve started adding colour to this painting tonight and I’ve already discovered that I hate painting armour almost as much as I hate painting hair… Good thing I’m not working on a painting with lots of armour clad knights then isn’t it?!

So far I like the way this is going. I’ve slightly altered the frame and face of the king from my greyscale under-painting and tweaked a few things slightly. Once I’ve got all of the base colour down I’ll probably tweak it a lot more. I’m not sure whether to change the shadow on the kings face so that you can see his eyes… In the photo his eyes are completely in shadow and although I’m not sticking rigidly to the source material I do like the contrast but in my painting I’m not so sure. I guess I’ll see how it goes.

Make Way for the King WIP

Well, several weeks have passed since I went on a lovely holiday down in Devon and I have finally started drawing again. This painting which is in the shading phase was inspired by Tewkesbury Medieval Festival and is loosely based on a photo taken by my friend Jennie Anderson (visit her website at http://www.jennieanderson.co.uk/).

I’m reasonable happy with the king but I may tweak the soldiers in the background a little. Next stop, coloursville!

Mucha Sketches

Todays post is a couple of quick pencil sketches done from the work of one of my favourite painters Alphonse Mucha. 

Larten Crepsley

Todays post is a little bit of fan art I’ve been working on.

For those of you who haven’t seen “The Vampires Assistant” Larten Crepsley is one of the main characters in the vampire world created by Darren Shan. He’s also my all time favourite vampire :-)

Roller Derby Decal Commission

 

 

After a slow few weeks I’ve been back at my drawing tablet in the last few days to complete a commission that has been lots of fun! The brief required me to create a T-Shirt / Helmet decal for a roller derby girl to fit with the name “Ratty Babe”. The client had a rough idea of what she wanted but having chatted about it a little she was happy to let me go off and do what I thought would work best. Luckily when I came back with the rough sketch for the image above, she was more than happy.

Personally, I just love the “cheese and cross bones” on the socks!

Silver tone Burlesque Necklaces on Folksy

Hello all! It’s been a while since I’ve posted due to some unavoidable changes in my routine which but as things are now calming down I’m back and posting again. So let me begin by announcing that my Folksy store now sports these 2 lovely variations on my Burlesque necklace designs, this time in a silver tone. Please click on the images to visit my shop.

More paintings, finished works & jewellery coming soon!

Cherry Blossom - Work In Progress

Yesterdays upload glitch has magically resolved itself so I can finally share with you my current work in progress (well, one of them anyway) It was only a matter of time before a geisha made her way into one of my burlesque paintings, this one started off as a speed doodle but has developed so well that I intend to turn her into a finished piece.

Originally I had no plans to add the cherry blossoms, they were a spur of the moment idea but now I love them so I will be re-drawing them in a little cleaner before finishing the sash and fan.

Don’t forget that I will be at the vintage fair at The Vic in Swindon tomorrow with fantastic artist Jennie Anderson and our Burly Boo stall. Pop along and say hello if you’re in the area.

Pendants

I’ve now completed my first 2 pendants for the vintage fair next month. They were a bit fiddly but I think I’ve got the hang of it now. They are made with glass Cabochons and nickel free vintage style backs.